Klaus W. Eisenlohr and richfilm productions share news and documents from upcoming and past events.

Urban Research: For Directors Lounge 2011 in Februray, I will post here images and links from the submissions to Urban Research. This shall be a source for networking and inspiration, it is not a list of final decisions of the program.
via www.rascheja.com
Paul Rascheja
Spaces

via www.rascheja.com

Paul Rascheja

Spaces


via www.estrellasonora.com/
Tom Skipp
CARAVAN Antioch - Florent on the Bridge
A site specific improvised dance, music and video project which travelled through Turkey and Syria in summer 2010 creating video works in Uchisar, Antakya, Samandagi, St. Simeon and Aleppo. These short works in progress (which will eventually number 12 videos) reflect the dancers and musicians progress through these places and their interaction with its people, architecture, sounds and colours.
http://www.estrellasonora.com/CaravanNEW.html

via www.estrellasonora.com/

Tom Skipp

CARAVAN Antioch - Florent on the Bridge

A site specific improvised dance, music and video project which travelled through Turkey and Syria in summer 2010 creating video works in Uchisar, Antakya, Samandagi, St. Simeon and Aleppo. These short works in progress (which will eventually number 12 videos) reflect the dancers and musicians progress through these places and their interaction with its people, architecture, sounds and colours.

http://www.estrellasonora.com/CaravanNEW.html


Deborah Phillips
Herman(n)
World Premiere at Directors Lounge, on Sunday 13 Febr at 18:00
Although this part of Neukölln (a district in Berlin) has a reputation as a dangerous place, I see it, through golden late summer light, as an inviting place. I have lived, for 10 years, on a side street of the Hermannstraße, first on the one side, then on the other. Gentrification has already commenced a few blocks north of where I live.
http://deborahsp.wordpress.com/

Deborah Phillips

Herman(n)

World Premiere at Directors Lounge, on Sunday 13 Febr at 18:00

Although this part of Neukölln (a district in Berlin) has a reputation as a dangerous place, I see it, through golden late summer light, as an inviting place.
I have lived, for 10 years, on a side street of the Hermannstraße, first on the one side, then on the other. Gentrification has already commenced a few blocks north of where I live.

http://deborahsp.wordpress.com/


via www.christinamcphee.net
Christina McPhee
Deep Horizon
Deep Horizon explores the ‘deep ecology’ of coastal Louisiana in  the aftermath of the Deepwater Horizon oil spill in the Gulf.

via www.christinamcphee.net

Christina McPhee

Deep Horizon

Deep Horizon explores the ‘deep ecology’ of coastal Louisiana in the aftermath of the Deepwater Horizon oil spill in the Gulf.


via www.em-arts.org
“40”
Masha Godovannaya
This film is a record of a traumatic experience in the aftermath to the terrorists’ acts in Moscow subway on March 29, 2010.
http://www.em-arts.org/independent/films/40

via www.em-arts.org

“40”

Masha Godovannaya

This film is a record of a traumatic experience in the aftermath to the terrorists’ acts in Moscow subway on March 29, 2010.

http://www.em-arts.org/independent/films/40


via www.andrewnormanwilson.com
Andrew Norman Wilson
Workers Leaving the Googleplex
Despite Google’s philosophy to make everything visible and accessible to a virtual public, filming the entrance to one of their premisses may lead you to trouble.
“Due to my investigations of a top secret, marginalized class of workers on the campus of Google headquarters, I was fired from my job there as a video editor.”

via www.andrewnormanwilson.com

Andrew Norman Wilson

Workers Leaving the Googleplex

Despite Google’s philosophy to make everything visible and accessible to a virtual public, filming the entrance to one of their premisses may lead you to trouble.

“Due to my investigations of a top secret, marginalized class of workers on the campus of Google headquarters, I was fired from my job there as a video editor.”


via www.jakob-kirchheim.de
Jacob Kirchheim, Teresa Delgado
Terrorsounds
Tremble, vibrations, a deep smell: “Terrorsounds” visualizes the memory of three bomb blasts. Surrounded by a flood of media images, impressions of vulnerability and threat are entering an apparently calm environment of the here and now.

via www.jakob-kirchheim.de

Jacob Kirchheim, Teresa Delgado

Terrorsounds

Tremble, vibrations, a deep smell: “Terrorsounds” visualizes the memory of three bomb blasts. Surrounded by a flood of media images, impressions of vulnerability and threat are entering an apparently calm environment of the here and now.


via www.kinodance.org
Alla Kovgan
New London Calling
An unsupervised                    tribe of 75 children take over the entire city of New London,                    creating their rites and rituals through playing street games.                    Their vibrant spirit evokes hopes for the future but also                    melancholy about the glorious past of children culture disappearing                    from the streets of American cities.
http://www.kinodance.org/newlondon.html

via www.kinodance.org

Alla Kovgan

New London Calling

An unsupervised tribe of 75 children take over the entire city of New London, creating their rites and rituals through playing street games. Their vibrant spirit evokes hopes for the future but also melancholy about the glorious past of children culture disappearing from the streets of American cities.

http://www.kinodance.org/newlondon.html


via festival.atasite.org
Bill Brown
Chicago Corner
I lived around the corner from the Henry Horner Homes. I once read an article about the place in the New York Times. The title of the article was “What It’s Like To Live In Hell.” By the time I moved to Chicago, the Horner Homes were empty. The city began to knock down the buildings, one by one, till there was only one building left. It stood there for years.
http://www.heybillbrown.com/

via festival.atasite.org

Bill Brown

Chicago Corner

I lived around the corner from the Henry Horner Homes. I once read an article about the place in the New York Times. The title of the article was “What It’s Like To Live In Hell.” By the time I moved to Chicago, the Horner Homes were empty. The city began to knock down the buildings, one by one, till there was only one building left. It stood there for years.

http://www.heybillbrown.com/


via www.uwe-doebbeke.de
Die Passarelle unter dem Potsademr Platz wird zur Metapher. Halbfertige Treppen-Torsi versinken in grünem Dunkel. Licht und Schatten öffnen fortwährend neue Räume, durch die sich die Menschen, ihre Spiegelungen und ihre Schatten bewegen.
The underground passageway at Potsdamer Platz stands as a metaphor. Unfinished stair cases sink into green darkness. People move between between spaces of light and darkness, shadows and refektions.

via www.uwe-doebbeke.de

Die Passarelle unter dem Potsademr Platz wird zur Metapher. Halbfertige Treppen-Torsi versinken in grünem Dunkel. Licht und Schatten öffnen fortwährend neue Räume, durch die sich die Menschen, ihre Spiegelungen und ihre Schatten bewegen.

The underground passageway at Potsdamer Platz stands as a metaphor. Unfinished stair cases sink into green darkness. People move between between spaces of light and darkness, shadows and refektions.